Gil Perkins
19 Films
Gil Perkins
19 Included Films
Gilbert Vincent Perkins (24 August 1907 – 28 March 1999) was an Australian film and television actor. A champion athlete and trackman in his native northern Australia, Gil Perkins always wanted to get into films; as a teenager he virtually ran away from home, taking a job as a deck hand on a Norwegian freighter. He eventually landed in Hollywood in the late '20s, during the era of part-silent, part-talkie movies, and (because his accent was mistaken for English) he played young Englishmen in some of his first films. He soon drifted into stuntwork, regularly doubling cowboy star William Boyd and putting a red toupee over his own blond hair to double 'Red Skelton', among others. Some of his most notable stunt jobs were in the sci-fi/horror field. He doubled star Bruce Cabotthroughout King Kong (1933), stood in for Spencer Tracy as Mr. Hyde in Dr. Jekyll et Mr. Hyde (1941) and replaced Bela Lugosi as the Monster in the climactic battle sequence of Frankenstein rencontre le loup-garou (1943). In addition to his feature films, Perkins turned up regularly in serials and on TV. On many occasions he worked with special effects and rigging departments, setting up large action scenes. By the 1960s he was doing more acting than stunts; he "officially" retired in 1972, although he took a number of subsequent jobs. - IMDb Mini Biography

Directors: Ernest B. Schoedsack & Merian C. Cooper

Directors: Ernest B. Schoedsack & Merian C. Cooper

Director: Frank Lloyd

Director: Frank Lloyd





Director: H. C. Potter

Director: H. C. Potter

Director: William Wyler

Director: William Wyler



Director: Mitchell Leisen

Director: Mitchell Leisen

Director: George Sidney

Director: George Sidney



Director: John Farrow

Director: John Farrow

Director: Harry Essex

Director: Harry Essex



Director: Elia Kazan

Director: Elia Kazan

Director: Stanley Kubrick
4K Blu-ray DTS:X mix most closely approximates original surround mix
Criterion DVD has additional features not found on the 4K Blu-ray

Director: Stanley Kubrick
4K Blu-ray DTS:X mix most closely approximates original surround mix
Criterion DVD has additional features not found on the 4K Blu-ray

Director: Blake Edwards

Director: Blake Edwards

Director: Leslie H. Martinson
Fox Blu-Ray
Fox Blu-Ray

Director: Leslie H. Martinson
Fox Blu-Ray
Fox Blu-Ray

Director: Peter Bogdanovich

Director: Peter Bogdanovich

Director: Martin Scorsese
Imprint Australia 4K Blu-ray has slightly better compression than Criterion 4K Blu-ray.
The master in DV looks all but identical to the Criterion’s HDR grade. Detail-wise, FiM’s encode looks like it uncovered a tiny bit of extra high-frequency information that got filtered on the Criterion. See nicolas review
1990 Criterion LaserDisc/1993 MGM LaserDisc/2002 R2 MGM DVD are the best. See blah-ray https://blah-ray.blogspot.com/2018/01/raging-bull-1980.html
Imprint Australia 4K Blu-ray has better audio than Criterion 4K Blu-ray, from nicolas:
I believe that what’s on Imprint’s 4K is one of the good mixes MGM and Criterion released during the LaserDisc days. Music is powerful and detailed, dialogues have excellent fidelity and ambient sounds have perceptible depth. I compared the "new" 2.0 with the anemic 5.1 as well as the Criterion 4K mix and could clearly hear the improvements.

Director: Martin Scorsese
Imprint Australia 4K Blu-ray has slightly better compression than Criterion 4K Blu-ray.
The master in DV looks all but identical to the Criterion’s HDR grade. Detail-wise, FiM’s encode looks like it uncovered a tiny bit of extra high-frequency information that got filtered on the Criterion. See nicolas review
1990 Criterion LaserDisc/1993 MGM LaserDisc/2002 R2 MGM DVD are the best. See blah-ray https://blah-ray.blogspot.com/2018/01/raging-bull-1980.html
Imprint Australia 4K Blu-ray has better audio than Criterion 4K Blu-ray, from nicolas:
I believe that what’s on Imprint’s 4K is one of the good mixes MGM and Criterion released during the LaserDisc days. Music is powerful and detailed, dialogues have excellent fidelity and ambient sounds have perceptible depth. I compared the "new" 2.0 with the anemic 5.1 as well as the Criterion 4K mix and could clearly hear the improvements.
19 films